KARIM EL GAMMAL
KARIM EL GAMMAL
THE TRANSITION
16 - 28 JUNE 2025
“Karim’s work functions as a portal. His paintings do not depict transition so much as they embody it, allowing the viewer to feel the gravity of that in-between state where canvases are charged with something beyond their form.”
MARIA YADEGAR
MARIA YADEGAR
LIFE IN COLOUR
2 - 14 JUNE 2025
“Maria Yadegar’s landscapes capture the essence of nature through spontaneous brushwork and a deep, personal connection to the land. What results are paintings that share a memory and emotional resonance with a place.”
DIANA MERCADO
DIANA MERCADO
TALES FROM THE ANDES
19 - 31 MAY 2025
“I grew up with tales of lost gold, mountain spirits, and Inca princesses vanishing into the Andes. My grandfather’s stories blurred myth and memory—and this exhibition is my way of telling them back.”
Diana Mercado, 2025
SHARED ROOTS
DOMENICA DE FERRANTI, CHRISTIAN DE FERRANTI & ANSELM FRASER DESIGN
SHARED ROOTS
6 - 17 MAY 2025
“To dedicate your life to making is an act of quiet defiance. For these three artists—a sculptor, a furniture maker, and a painter—craft is both a calling and a form of meditation. Though their mediums differ, they are united by a shared belief: that true creation is fearless, guided by process, and grounded in integrity.“
SUSANNA ROBINSON
SUSANNA ROBINSON
VIGNETTE
14 APRIL - 3 MAY 2025
“There’s an honesty in nature that I deeply connect with,” Robinson explains. “It’s not about replicating botanical forms but about capturing the perfect imperfection of a moment and evoking presence and emotion through an impressionistic approach to painting.”
Susanna Robinson, 2025
OLIVIA STANTON
OLIVIA STANTON
NEW WORKS
20 FEBRUARY - 1 MARCH 2025
‘Although her paintings are always based on particular places and views - here and there one can distinguish a row of trees, the curve of a road or fence, even a dustbin - they are essentially abstractions, and glimpses of recognisable features of the landscape are rare. These are skilfully controlled paintings. The colour is rubbed on and no brushstrokes are visible, but they are given a wild sense of movement through the abstract shapes themselves. With a particularly subtle deployment of colour, sometimes sombre, sometimes brilliant, the artist creates a variety of different moods.’ - The Week Magazine